destruction and finality is already enrolled in activism since the early days of graffiti. On the one hand, as a destructive creativity that creates a more or less targeted new aggression, on the other hand, in the destructive cleanup of these tracks by cleaning staff, so the example of Zugmaler. The same applies in the streets resulting images, the fall of Reinigungswut or weather at the victim.
But it is also legal and public areas of importance if the lack of space forces to painting over, or fall victim to competition pictures.
short, the early end Images of them is already enrolled in their creation. For this reason, the documentation of the images plays an important role, testified to by the flood of images of graffiti and street art is that is available on the Internet.
different paths to try this almost to the decadence associated aspect of the actions to incorporate, whether as a staging and use of destruction and decay as a motive and motif amplifier, it is prevented through emphasis on quantity to a complete disappearance or whether through the documentation of the destruction.
The demolition of Herion-site gives me the tempting opportunity to do the latter in order to document the destruction of the summer resulting images, is to ultimately turn a abbildenswertes and to find interesting subject in his moods and to celebrate that takes its impetus from the interaction between the original image and its destruction.
This is the first part announced that it will follow.
short, the early end Images of them is already enrolled in their creation. For this reason, the documentation of the images plays an important role, testified to by the flood of images of graffiti and street art is that is available on the Internet.
different paths to try this almost to the decadence associated aspect of the actions to incorporate, whether as a staging and use of destruction and decay as a motive and motif amplifier, it is prevented through emphasis on quantity to a complete disappearance or whether through the documentation of the destruction.
The demolition of Herion-site gives me the tempting opportunity to do the latter in order to document the destruction of the summer resulting images, is to ultimately turn a abbildenswertes and to find interesting subject in his moods and to celebrate that takes its impetus from the interaction between the original image and its destruction.
This is the first part announced that it will follow.
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